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Table of Contents
Preface: To The Teacher
1. STARTING OUT: An Introduction
“Sweater Weather: A Love Song to Language,” Sharon Bryan
Word Magic
Diction
“Those Winter Sundays,” Robert Hayden
Syntax
“Barbed Wire,” Henry Taylor
Pruning and Weeding
“Dulce et Decorum Est,” Wilfred Owen
“In a Station of the Metro,” Ezra Pound
Clarity, Obscurity and Ambiguity
“Gubbinal,” Wallace Stevens
Questions and Suggestions
Poems to Consider
“Famous,” Naomi Shihab Nye
“Home is so Sad,” Philip Larkin
“Abstraction,” Geoffrey Brock
“The Way Things Work,” Jorie Graham
“Night in Iowa,” Deborah Ager
“Bent to the Earth,” Blas Manuel De Luna
"Realism," Czeslaw Milosz
“Dolor,” Theodore Roethke
PART I: FORM
2. VERSE
Line
“Metaphors of a Magnifico,” Wallace Stevens
Form
“A Noiseless Patient Spider,” Walt Whitman
Balance, Imbalance
“The Racer’s Widow,” Louise Glück
“Letter in July,” Elizabeth Spires
Questions and Suggestions
Poems to Consider
“Traveling through the Dark,” William Stafford
“Balance,” Marilyn Nelson
“In the Museum of Your Last Day,” Patrick Phillips
“Unconditional Election,” David Baker
“Storm Window,” Conrad Hilberry
“Thrall,” Carolyn Kizer
“A Grave,” Marianne Moore
“Off-Season at the Edge of the World,” Debora Greger
3. MAKING THE LINE (I)
Syllable-Stress Meter
Rhythm
The Lengths of Metrical Lines
Substitutions and Variations
A Little Scanning
“Out, Out–,” Robert Frost
Questions and Suggestions
Poems to Consider
“Loveliest of Trees,” A.E. Houseman
“Sonnet 116,” William Shakespeare
“Signs,” Gjertrud Schnackenberg
“Hamlen Brook,” Richard Wilbur
“Her Web,” Erin Belieu
“One Art,” Elizabeth Bishop
“Epitaph on a Tyrant,” W.H. Auden
“Learning by Doing,” Howard Nemerov
4. MAKING THE LINE (II)
Nonmetrical Verse: Longer Lines
“When I Heard the Learn’d Astronomer,” Walt Whitman
Nonmetrical Verse: Lines of Mixed Length
“People and a Heron,” Robinson Jeffers
Nonmetrical Verse: Shorter Lines
“Pastoral,” William Carlos Williams
“Poem,” William Carlos Williams
Syllabics and Prose Poems
“To a Steam Roller,” Marianne Moore
“Looking at a Dead Wren in My Hand,” Robert Bly
Questions and Suggestions
Poems to Consider
“Balloons,” Sylvia Plath
“Blue Plums,” Geri Doran
“At Pegasus,” Terrance Hayes
“The Truth Is Forced,” May Swenson
“Pure,” Carol Frost
“By the Charles River,” Scott Hightower
“Bacchae,” Terese Svoboda
“My Dates,” Jeffrey Skinner
5. THE SOUND AND LOOK OF SENSE
Visible Form
“The Silence of Women,” Liz Rosenberg
“Smart,” Bruce Bennett
“A Night Without Stars,” Nancy Eimers
“Easter Wings,” George Herbert
“The Red Wheelbarrow,” William Carlos Williams
Repetition
“Recuerdo,” Edna St. Vincent Millay
“Catania to Rome,” Richmond Lattimore
Alliteration and Assonance
“Power to the People,” Howard Nemerov
Rhyme
“Arms and the Boy,” Wilfred Owen
“After Apple-Picking,” Robert Frost
Onomatopoeia
“Player Piano,” John Updike
Questions and Suggestions
Poems to Consider
“Dear Petrarch,” Cate Marvin
“Bleeder,” Stephen Dobyns
“Don’t Look Back,” Kay Ryan
“January II,” Charles Wright
“After the Trial,” Weldon Kees
“Postolka (Prague),” Christian Wiman
“Reapers,” Jean Toomer
“To Autumn,” John Keats
PART II: CONTENT
6. SUBJECT MATTER
“Men at My Father’s Funeral,” William Matthews
Subjects and Objects
“A Hill of Beans,” Rita Dove
“Primary Colors,” Cathy Song
“Charles Harper Webb,” Charles Harper Webb
Memory
“Ground Swell,” Mark Jarman
Presenting
“My Papa’s Waltz,” Theodore Roethke
“Neutral Tones,” Thomas Hardy
Implication and Focus
“First Death in Nova Scotia,” Elizabeth Bishop
Questions and Suggestions
Poems to Consider
“Winter,” Marie Ponsot
“The Beautician,” Thom Gunn
“The Guides,” Rigoberto González
“Brad Pitt,” Aaron Smith
“Bitch,” Carolyn Kizer
“The Tropics in New York,” Claude McKay
“Détroit Moi,” Al Young
7. METAPHOR
“The Death of a Small Town,” B. H. Fairchild
“The White Dress,” Lynn Emanuel
Figuratively Speaking
“Look Here,” Pamela Alexander
“I heard a fly buzz–when I died–,” Emily Dickinson
“We Wear the Mask,” Paul Lawrence Dunbar
A Name for Everything
“Putting a Burden Down,” Molly Peacock
Pattern and Motif
“My Grandmother’s Love Letters,” Hart Crane
Conceits
“Music at Night,” Mary Oliver
“A Valediction: Forbidden Mourning,” John Donne
Metaphoric Implication
“Sonnet 30,” William Shakespeare
“The House Slave,” Rita Dove
Questions and Suggestions
Poems to Consider
“The Empire in the Air,” Kevin Prufer
“Song,” Frank Bidart
“What Are Years?,” Marianne Moore
“Rowing,” Jeffrey Harrison
“X,” Carl Phillips
“Far Niente,” Heather McHugh
“School Dance,” Bruce Snider
“Blue,” Reginald Shepard
8. TALE, TELLER, TONE
“Siren,” Amy Gerstler
“Adlestrop,” Edward Thomas
Narration and Action
“Minor Miracle,” Marilyn Nelson
“Understanding Fiction,” Henry Taylor
Persona
“Pit Pony,” William Greenway
“Daisies,” Louise Glück
Point of View
“My Last Duchess,” Robert Browning
“When Someone Dies Young,” Robin Becker
Tone
“Lunch by the Grand Canal,” Richard Lyons
Questions and Suggestions
Poems to Consider
“Personals,” C.D. Wright
“The Wood-pile,” Robert Frost
“Halflife,” Meghan O’Rourke
“Last Day,” Timothy Liu
“The Shadow-Line,” William Logan
“Butane, Kerosene, Gasoline,” Ann Townsend
“Unyieldingly Present,” Lawrence Joseph
“The Hare,” Henri Cole
9. THE MYSTERIES OF LANGUAGE
The Sense of Nonsense
“Jabberwocky,” Lewis Carroll
“A Guide to the Stone Age,” James Tate
“What Do I See?,” Gertrude Stein
The Logic of the Analogic
“Daytrip to Paradox,” Dara Wier
“At North Farm,” John Ashbery
Ordinary Strangeness
“Ordeal,” Nina Cassian
Translation
“The Deaf and Blind,” Paul Éluard
Questions and Suggestions
Poems to Consider
“Kubla Khan,” Samuel Taylor Coleridge
“A Hill,” Anthony Hecht
“Remember the Trains?” Martha Collins
“Reading Sonnevi on a Tuesday Night,” Wayne Miller
“Indifference,” Cesare Pavese
“A Hunger So Honed,” Tracy K. Smith
“Everything,” Srikanth Reddy
“A Story About the Body,” Robert Hass
PART III: PROCESS
10. FINDING THE POEM
“Reading the Late Henry James,” Natasha Sajé
Imitations and Models
“Variations on a Text by Vallejo,” Donald Justice
“Piedra negra sobre una piedra blanca,” César Vallejo
Sources, Currents
“Sunday Afternoons,” Yusef Komunyakaa
Emotion and Thought
“After great pain, a formal feeling comes–,” Emily Dickinson
“The Widow’s Lament in Springtime,” William Carlos Williams
“The Hawk,” Marianne Boruch
Getting into Words
“ After Long Silence,” W.B. Yeats
Keeping a Poem Going
Questions and Suggestions
Poems to Consider
“A Description of the Morning,” Jonathan Swift
“24th and Mission,” Joy Katz
“Ballade Beginning with a Line by Robert Bly,” R.S. Gwynn
“The Starlet,” John Poch
“The Other Cold War,” Adrian Blevins
“Visitation,” Kathy Fagan
“Song,” Brigit Pegeen Kelly
“Nearing Rome,” Rick Barot
11. DEVISING AND REVISING
“A Noiseless Patient Spider,” Walt Whitman
Exploring
Trying Out
Focusing
“The Monkeys,” Marianne Moore
Shaping
“The Fish,” Marianne Moore
“Swimmer in the Rain,” Robert Wallace
Drafts
Questions and Suggestions
Poems to Consider
“Love Calls Us to the Things of This World,” Richard Wilbur
“The Edge of the Hurricane,” Amy Clampitt
“Macaroni & Cheese,” Laura Kasischke
“ABC,” Robert Pinsky
“Immediate Revision,” Chase Twichell
“The Day Lady Died,” Frank O’Hara
“Woman on Twenty-Second Eating Berries,” Stanley Plumly
“The Man. His Bowl. His Raspberries.” Claudia Rankine
12. BECOMING A POET
The Growth of a Poet
Going Public
Writing Communities
Getting Organized
Questions and Suggestions
Poems to Consider
“Rain,” Sidney Wade
“Poem,” Donald Justice
“Workshop,” Billy Collins
“Torch Sonnet III,” Sarah Murphy
“Winter Conception,” Eleanor Wilner
“Meanwhile,” Richard Siken
“The Great Poet Returns,” Mark Strand
“The Next Poem,” Dana Gioia
Appendix I: A Brief Glossary of Forms
Appendix II: Notes to the Questions and Suggestions
Appendix III: Further Reading
Acknowledgments
Index of Authors and Titles
Index of Terms
***THIS IS NOT THE ACTUAL BOOK. YOU ARE BUYING the Test Bank in e-version of the following book***
Writing Poems, 7th Edition PDF Manual Solutions , PDF Writing Poems, 7th Edition , Fast Download Writing Poems, 7th Edition , Michelle Boisseau, University of Missouri - Kansas City Robert Wallace, Deceased, Case Western Reserve University Randall Mann,Category : Higher Education
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